Sixth International Exhibition
6-16 December 2018
Serbian Academy of Sciences and Arts, Gallery of Science and Technology, Djure Jakšića 3, Belgrade, Serbia
Registration include:
– participation at all side events Opening of the Exhibition, Welcome Reception and Awards Ceremony,
– copy of Exhibition Book,
STRAND offers the following conditions for participation:
| Type of participation | For registration and payment with the Exhibition Application until 2 September |
| 1 Poster | EUR 50 |
| 2 Posters | EUR 75 |
Registration and payment on site not feasible.
Please note that the Posters submitted printed and mounted on foam board for the Exhibition must have identical Layout as the one previously submitted by email for the Jury and evaluation process.
For the foreign applicants STRAND organization can offer service of printing.
diktyochóros/diktyotopia [1]
[the next imaginariumin cyberterritory: a digital archive and a digital diagram]
[1] diktyochóros [δίκτυοΧώρος] – network space, diktyotopia [δίκτυοτοπία] – network place Continue reading “Diagrammatics of Virtual Connectome”
Maps are one of the most powerful ways to understand city. But, mapping is no longer an activity exclusively by experts, it is instead a powerful form of everyday communication. This situation opens an opportunity for (re)reading(and (re)writing)) some of the architectural terri(s)tories. Continue reading “Mapping the City Transformation”
The aim of this work is to propose drawing as a critical tool, developed during PhD research which explore the invisible data of air space of the ex Yugoslav Ministry of Defense Building (Yugoslav General Staff Building) designed and built between 1957 and 1965 by architect Nikola Dobrovic. Continue reading “Fluid Air Drawing”
The paper discusses students’ Artists’ Books produced on the elective subject “The Artist’s Book” at Master studies at the University of Belgrade, Faculty of Architecture, Serbia. It also explains the modes of the artist’s book teaching methodology on this course. Continue reading “Artist’s Book”
The significance of facing challenges and the necessity for new strategies in promoting digital art were the key points at the closing plenary of ISEA 2016 in Hong Kong. We acknowledged that digital art professionals predominantly operate and most efficiently communicate within the limited circles of like-minded artists, authors and cultural workers. Continue reading “Going Post-Digital”
This paper presents an ongoing project developed by the artist Manthos Santorineos and the scientist Stavroula Zoi. Ιt is a virtual exhibition in which, through the Geo-located Augmented Reality technology, virtual artworks will be exhibited in different areas of the earth related with human actions that convert the earth, transform it into civilization, create the linear history, with conflicts, with victories, with defeats, with progress and destruction. Continue reading “Geo(augmented) Cultural Space”
Modern need for constant communication, networking and information exchange has led to a rapid development of wearable technologies, wearable computers and intelligent fabrics. Continue reading “Costume as Wearable Technology”
LIGNH UP and GENESIS are projects that emerge from research on topics what is common substance for human beings and for the rest of the planet, and what shape us physically, mentally and spiritually. Continue reading “Implementation of the New Tehnologies in Clothing Inspired by Bioluminesence”
Fast fashion brands are annually launching 52 trends, creating new looks on a weekly basis while aggressively cutting the garment costs. The prices consumers pay for the clothing are reaching the lowest point in the entire human history. Cheap fashion has formed disposable clothing habits, increase of the textile waste and emotional disconnection between consumers and clothing they accumulate. Continue reading “Sustainable Fashion and Future of the Apparel Industry”
