Category: Uncategorized

(Re)creating genius loci: AI-generated design trends as architectural concepts and methods
Jovana Tošić

https://doi.org/10.60152/9ubln97v

Abstract: The concept of genius loci, or the ‘spirit of place’, mainly refers to the concept of the ‘character’ of a place, and it is complex and multi-layered. The primary interpretation of the concept of genius loci, translated into architecture, is a theory of the architect and phenomenologist Christian Norberg-Schulz. A human’s identity depends on a place’s identity, which refers to recognizing and revealing a place’s genius loci. Architectural designers tend to invoke and activate it to create a unique character for a space. They often use AI platforms – text-to-image generators, mostly Midjourney- to develop their architectural ideas and concepts and make them more original and unique. However, these AI-generated architectural design concepts are becoming too similar. In which cases do AI-generated architectural design concepts and ideas help evoke a particular character of a place, and when does it seem to make a genius loci more invisible? The paper critically analyses AI-generated architectural design examples about genius loci. The parallel is made with Alison and Peter Smithson’s “House of the Future” (1956), as it is an important example of an experimental, visionary project in architectural theory and has many similar references to new media trends and consumerism in design.

Keywords: genius loci; spirit of a place; AI-generated design; House of the Future

How to cite this Paper (Harvard referencing style):

Tošić, J. (2024) ‘(Re)creating genius loci: AI-generated design trends as architectural concepts and methods’, in R. Bogdanović (ed.) On Architecture — Shaping the City through Architecture, Proceedings. Belgrade, Serbia: STRAND, pp. 229-234. 

Indeterminacy of Spatial Effects of Soft Power Architecture: Towards A Hypothesis of Untestability
Ivan Filipović

https://doi.org/10.60152/v4owig04

Abstract: This paper investigates the indeterminate spatial effects of soft power architecture, with a specific focus on spatial sequestration in embassy buildings and its implications for urban environments. Security-driven architectural interventions often disrupt urban morphology and neighborhood dynamics, presenting challenges in quantifying their qualitative impacts. Drawing upon urban studies and resilience theory, the study proposes an analytical framework to explore the inherent difficulty in measuring these effects, highlighting how urban and cultural contexts adapt to spatial barriers. Furthermore, the paper examines implications for policy and design, advocating for approaches that balance security needs with urban livability goals. This interdisciplinary approach not only advances theoretical understanding but also offers practical recommendations for policymakers, urban planners, and architects. By optimizing the positive impacts of soft power architecture, such strategies aim to foster community resilience and enhance cultural exchange within urban settings, contributing to a more cohesive and sustainable urban environment.

Keywords: Soft power architecture, Spatial sequestration, Indeterminacy, Urban morphology, Cultural resilience

How to cite this Paper (Harvard referencing style):

Filipović, I. (2024) ‘Indeterminacy of Spatial Effects of Soft Power Architecture: Towards A Hypothesis of Untestability’, in R. Bogdanović (ed.) On Architecture — Shaping the City through Architecture, Proceedings. Belgrade, Serbia: STRAND, pp. 158–164. 

The Artifice of Water – Art project H₃O₂ Vol. 3 – Aquatectorium: Habitats of The Future
Miloš Stojković Minić, Bogdan Knežević, Ljubica Arsić, Nevena Petrović, Dušan Stipić Dudwarszky, Irina Živković, Jovana Lučić

https://doi.org/10.60152/6cgmugy6

Abstract: The intention of The Art project H₃O₂ Vol. 3 is to conclude a three-year annual tradition of exhibiting artworks which are created in the process of post-production inspired by students′ works and projects created at The University of Belgrade – Faculty of Architecture, which were explored through the processes of artistic experimental practice that interprets the structure and elusive form of water.
The research focuses on the dimensions and principles of water application in the process of structuralization of the (open) spaces and spatial installations. The very important part of that process was artistic (independent) thinking constructed on spatial structures and rules by which the emanation of architectural, philosophical and artistic concepts can exist today in the space. We rethink the spaces of the galleries, but at the same time the space of Augmented and Virtual reality (AR & VR) in art and architecture. In the final exhibition of this three-year project we one more time intertwine, expand and explore architectural, but also wider scientific disciplines of critical-artistic operationalization in space, from the perspective of researchers and practitioners in the field of art and architecture refreshed by new ideas of students and special guests at the final exhibition.
The resulting works demonstrate how the role of water can be understood and incorporated into contemporary design. Just as water transcends borders, the element of water bridges the divide between art and architecture, emphasizing the necessity of multidisciplinary approaches. This paper discusses the results achieved during the three-year art project and its accompanying workshops, focusing on the structuralization of space (architecture and art) through water and exploring trends that contribute to new aesthetics and functionalities: globalization, innovative design approaches, material applications and advanced technologies essential for creating works of art and spatial installations envisioning Aquatectorium and Habitats of The Future.
Special attention in this year’s conference paper is given to an overview and description of the creative process behind the most successful works from the final exhibition, held at The Silosi (the re-creative cultural center on the Danube River) in Belgrade, in September 2023. The Silo No. 3 served as a space where water found its expression through spatial installations, acting as a testing ground for presented concepts of Aquatectorium and envisioning future habitats by young authors. New spatial images of water, new dimensions of Aquate-tecture, new ambiences of Aquatectorium, prototypes, more precise models, sculptures and structures of water have been developed through the culmination of this architecturally artistic project.

Keywords: water; art & architecture; Art project H₃O₂ Vol. 3; Workshop H₃O₂; Aquatectorium & Habitats of the future; Aqua-tecture

How to cite this Paper (Harvard referencing style):

Stojković Minić, M., Knežević, B., Arsić, Lj., Petrović, N., Stipić Dudwarszky, D., Živković, I. and Lučić, J. (2024) ‘The Artifice of Water – Art project H3O2 Vol. 3 – Aquatectorium: Habitats of The Future’, in R. Bogdanović (ed.) On Architecture — Shaping the City through Architecture, Proceedings. Belgrade, Serbia: STRAND, pp. 316–334. 

See publication On Architecture (2024) Conference Proceedings

The Archaeological Site as a Theatrical Space and the Contribution of Lighting
Konstantinos Briasoulis

https://doi.org/10.60152/9esb7qqs

Abstract: In recent years, there has been a global effort to enhance monuments and archaeological sites. With the changing sociopolitical conditions and the rise in living and educational standards, it has become evident that understanding the past and gaining deeper historical knowledge benefits contemporary society. The 20th-century individual seeks to connect with history and escape the alienating aspects of modern life, which disconnects them from nature, others, and their true selves. This yearning has led to an increase in museum and archaeological site visits.
Recognizing the cultural and economic value of these sites, nations have coordinated efforts to protect, manage, and highlight their cultural heritage. This includes restoration and the development of infrastructure, such as visitor pathways, signs, and lighting, to enhance the visitor experience. These actions often recreate an atmosphere that transports visitors to the past, allowing them to engage with history in a theatrical and immersive manner. Artificial lighting plays a crucial role, shaping the atmosphere and integrating archaeological sites into modern urban landscapes.
This study explores how archaeological sites can be transformed into theatrical spaces and examines the extent to which lighting, both natural and artificial, contributes to the monumentality and theatricality of these spaces. Divided into three parts, the study first defines key concepts like “monument” and “archaeological site,” followed by an analysis of theatre’s elements and its parallels with archaeology. Lastly, it highlights the role of lighting in the presentation of these sites, drawing conclusions about its impact on the visitor experience and the theatricality of monuments.
This research sheds light on how both ancient and modern spaces can communicate a theatrical language, enhancing not only historical preservation but also creating unique visitor interactions.

Keywords: archaeological project, archaeological site, theatrical space, monument, cultural heritage, artificial lighting, natural lighting

How to cite this Paper (Harvard referencing style):

Briasoulis, K. (2024) ‘The Archaeological Site as a Theatrical Space and the Contribution of Lighting’, in R. Bogdanović (ed.) On Architecture — Shaping the City through Architecture, Proceedings. Belgrade, Serbia: STRAND, pp. 307–315. 

See publication On Architecture (2024) Conference Proceedings

Visual Thinking: A Methodological Approach to Age-Inclusive Housing Research
Ivana Rakonjac, Ana Zorić, Aleksandra Milovanović, Jelena Ristić Trajković, Verica Krstić, Pavle Stamenović

https://doi.org/10.60152/j3qje662

Abstract: This research is placed in the arena of architectural education and its associated professional context, exposed to numerous urban challenges and influences, such as social transformation and uncontrolled urban growth, emphasized in the housing domain. Residential typologies are evolving and transforming in a continuous synergy of spatial and behavioral patterns influenced by contemporary lifestyles and corresponding morphological formats. Addressing these challenges and finding appropriate professional responses in housing practice necessitates considering methodological approaches that are flexible across different typologies and adaptable to various scales. The current Charter of Architectural Education (UIA/UNESCO) identifies understanding methods for research, imagination, and creative thinking as key educational goals. Additionally, the EAAE Charter for Architectural Research emphasizes the need to strengthen problem-based thinking. In this context, visual thinking serves as a bridge between problem-based and creative thinking. Therefore, this paper focuses on a methodological approach to researching age-inclusive housing related to visual thinking. This research is conducted within the framework of the international Erasmus+ project sUser (https://suserproject.org/), focused on Introducing User-Driven Design and Agile Development Skills in the Case of Sustainable Service Housing for Elderly. The paper provides an overview with a clustering structure that includes four design approaches (user-driven design, system thinking, eco-design, and agile methodologies) in relation to visual thinking. For each approach, the discussion centers on visual tools (such as drawings, diagrams, maps, etc.) and their explicit use concerning specific aspects explored in designing age-inclusive housing. The study’s outcome presents a systematic overview of identified visual tools followed by a comparative discussion of the four recognized design approaches.

Keywords: architectural education; design methodology; aging society; user-driven design, system thinking, eco-design, agile methodologies

How to cite this Paper (Harvard referencing style):

Rakonjac, I., Zorić, A., Milovanović, A., Ristić Trajković, J., Krstić, V. and Stamenović, P. (2024) ‘Visual Thinking: A Methodological Approach to Age-Inclusive Housing Research’, in R. Bogdanović (ed.) On Architecture — Shaping the City through Architecture, Proceedings. Belgrade, Serbia: STRAND, pp. 300–306. 

See publication On Architecture (2024) Conference Proceedings

Journey Through Time: Preserving Cultural Heritage in the Process of Reconstruction and Repurposing – A Case Study
Monika Štiklica

https://doi.org/10.60152/m51emd2f

Abstract: This paper will analyze the reconstruction of a residential building in an old pre-war building located in the heart of Belgrade. The building is the work of our renowned architect Aleksandar Đorđević, whose facade is protected as a cultural monument. The project’s goal was to preserve historical heritage while simultaneously adapting the building to contemporary functional requirements, in line with the specifics of repurposing the entire ground floor from residential to commercial use.
The reconstruction process was carried out with special attention to the techniques and materials used at the time of the original construction, while simultaneously considering modern building standards and functionality of space. The paper will thoroughly examine all interior elements, analyzing original sources and comparing the reconstructed elements executed according to the requirements of the period from which the building originates, to achieve complete fidelity to the original design.
Special emphasis will be placed on the analysis of the previous era and the value of cultural heritage, providing a deeper insight into the methodology of preserving cultural heritage in urban environments and enabling the integration of these objects into the modern era. Through this transformation from a residential to a commercial space for a contemporary polyclinic, the building not only retain its historical and cultural significance, but will also meet contemporary societal needs. Thus, we can conclude that the result is a building that successfully merges rich historical tradition with the functionality and demands of modern commercial space, offering significant scholarly contributions in the field of cultural heritage preservation and adaptation.

Keywords: Interior design, cultural heritage, adaptation, revitalization, aesthetics, tradition

How to cite this Paper (Harvard referencing style):

Štiklica, M. (2024) ‘Journey Through Time: Preserving Cultural Heritage in the Process of Reconstruction and Repurposing – A Case Study’, in R. Bogdanović (ed.) On Architecture — Shaping the City through Architecture, Proceedings. Belgrade, Serbia: STRAND, pp. 278–289. 

See publication On Architecture (2024) Conference Proceedings

Disciplinary Encounters: Merging Architecture, Urbanism and Landscape In ‘Research by Design’ Processes
Marija Mano Velevska

https://doi.org/10.60152/m51emd2f

Abstract: As its name suggests, the studio entitled ‘Growth 2.0’ investigates transformative specifics of urbanity, following the concept of growth as an inherent and vital feature of every city. Its various possibilities in terms of size, volume and density, are being explored not only through the built, but also through the unbuilt as equally valuable resource for the city, thus introducing the theme of de-growth as part of the conceptual understanding of growth.
This design studio was established with the intention to connect the disciplines of architecture and urbanism in a novel design approach that resonates the current and growing complexity in the urban environment. It implies a strategy of so-called architectural–urbanism that develops different tools to construct modern urban narratives through studio-projects operating between different scales. Additionally, landscape is identified as a significant part in the planning and design processes, embedded in territorial, urban and architectural domain, addressing challenges of different scales: from climate change and environmental hazards, through blue infrastructure and soil reclamation, to the performative potentials of urban gardens and greenery.
Such a design approach confirms Vitorio Gregotti’s arguments in The Form of the Territory (1981) for expanding the role of the architect based on three points: 1) ‘the object of architecture is no longer only identified with buildings’, 2) the architect is not solely ‘a creator of forms’, and 3) the need to acknowledge landscape construction within the competences specific to the architect.

Keywords: research by design, design studio GROWTH 2.0, architectural urbanism, landscape

How to cite this Paper (Harvard referencing style):

Mano Velevska, M. (2024) ‘Disciplinary Encounters: Merging Architecture, Urbanism and Landscape In ‘Research by Design’ Processes’, in R. Bogdanović (ed.) On Architecture — Shaping the City through Architecture, Proceedings. Belgrade, Serbia: STRAND, pp. 270–277. 

See publication On Architecture (2024) Conference Proceedings

The Role of Architectural Education Models in Sustainable Transition of Cities
Vladimir Mihajlov

https://doi.org/10.60152/2zaiktms

Abstract: As one of the pillars for design professionals, design education in architecture and related fields contributes to the built environment’s sustainable future. However, despite the dedication of educators, the evolving emphasis of design pedagogy is still not entirely accepted in the academic setting. Concerns regarding outmoded and static approaches in higher education have recently triggered some new insights causing the updating, upgrading and improvement of programs. Consequently, critical thinking and inquiry, creativity and innovation, research and investigation, collaboration and civic engagement, supported by technical competences, have become increasingly valued in the contemporary design pedagogy. In keeping with this pattern, the Sustainable City master’s program at the University of Belgrade’s Faculty of Architecture is organized around a project-oriented methodology. The process is finalized through a Civil Initiative Project Proposal data set established on the Teams platform, that addresses requests for proposals and several ongoing competitions. A Civil Initiative Project Proposal data set created on the Teams platform completes the process and offers the opportunity for active participation in solving the different issues facing local communities.

How to cite this Paper (Harvard referencing style):

Mihajlov, V. (2024) ‘The Role of Architectural Education Models in Sustainable Transition of Cities’, in R. Bogdanović (ed.) On Architecture — Shaping the City through Architecture, Proceedings. Belgrade, Serbia: STRAND, pp. 18–22. 

See publication On Architecture (2024) Conference Proceedings

The New Art for The New Sarajevo:  Spaces for Art and Culture in The Neighborhoods From The Socialist Modernism Period
Senka Ibrišimbegović, Nermina Zagora

https://doi.org/10.60152/q5nkfqot

Abstract: This paper explores the evolving urban landscapes of the post-socialist residential quarters in the municipality of New Sarajevo (Novo Sarajevo), focusing on spaces designated for art and culture from the perspective of past, present, and future. By examining existing and potential venues for artistic expression, the study explores how these spaces contribute to fostering community cohesion, stimulating local economies, and enhancing quality of life. 
Simultaneously, the research delves into the adaptation and transformation of cultural spaces in post-socialist residential quarters following the dissolution of Yugoslavia and the socialist era. It investigates the factors influencing the dormancy or revitalization of cultural venues such as community centers, theaters, and memorials, considering the socio-political context and urban planning decisions that shape these spaces today. Using mapping methodology, site analysis and stakeholder interviews, the study aims to examine the possibilities of introduction of new arts and culture venues, as well as remodeling of the existing urban spaces for cultural and artistic purposes and their broader impact on neighborhood revitalization efforts. 
This exploration seeks to illuminate the synergy between urban policy, cultural vibrancy, and the aspirations of residents in the New Sarajevo municipality as well as in broader post-socialist contexts. By understanding these dynamics, the research contributes to the preservation of cultural heritage, the promotion of community engagement, and the strategic planning of future cultural developments in Sarajevo’s evolving urban fabric. 

Keywords: Socialist modernist heritage, culture; art; urban regeneration; new municipalism 

How to cite this Paper (Harvard referencing style):

Ibrišimbegović, S. and Zagora, N. (2024) ‘The New Art for The New Sarajevo: Spaces for Art and Culture in The Neighborhoods From The Socialist Modernism Period’, in R. Bogdanović (ed.) On Architecture — Shaping the City through Architecture, Proceedings. Belgrade, Serbia: STRAND, pp. 244–258. 

See publication On Architecture (2024) Conference Proceedings

ISBN 978-86-89111-15-6

CIP - Каталогизација у публикацији - Народна библиотека Србије, Београд
72.01(048)

INTERNATIONAL Scientific Conference and Exhibition On Architecture (5 ; 2017 ; Beograd)

Book of Abstracts / [Fifth International Multimedia Event Book of Abstracts & Exhibition Book, Belgrade, 2017] ; [editor Ružica Bogdanović ; translation Ana Makragić]. - Belgrade : STRAND - Sustainable Urban Society Association, 2017 (Zemun : Birograf). - 48, 51 str. : ilustr. ; 24 cm

Nasl. str. prištampanog teksta: Exhibition Book. - Oba rada štampana u međusobno obrnutim smerovima. - Tiraž 100. - Str. 5: Preface / editor. - Sadrži i biografske beleške o autorima.

ISBN 978-86-89111-15-6

a) Архитектура - Интердисциплинарни приступ - Апстракти

COBISS.SR-ID 251315724