2025 MicroMacro Awards

ON ARCHITECTURE 2025 EXHIBITION
(international, juried with awards, open call)

International exhibition OA2025 with MicroMacro Awards was held 3–17 December 2025 at Gallery of Science and Technology of the Serbian Academy of Sciences and Arts in Belgrade, Serbia.

MicroMacro Awards were given to best exhibition entries by the international Jury consisting of previous winners of MicroMacro Awards series – Francesco Carota (Italy, USA), Senka Ibrišimbegović (Bosnia and Herzegovina), Maja Dragišić & Milan Božić –SPRING studio (Serbia) and Stahl Stenslie (Norway) . The Jury awarded two Mentions, three Special Mentions, a Special Award and main prize – the MicroMacro Award across four categories to winning authors and teams based in Serbia, Montenegro and Lithuania.

MICROMACRO AWARD

Awarded to
Ivan Šuković, Dejan Todorović, Emir Šehanović (Serbia, Montenegro)

In the Category
Science, Technology and Architecture

For the Project
Terram Intelligere: INTERSTITIUM


SPECIAL RECOGNITION
for Science and Technology Advancement

Awarded to
Davor Ereš, Jelena Mitrović, Igor Pantić, Sonja Krstić, Ivana Najdnović, Petar Laušević (Serbia)

In the Category
Science, Technology and Architecture

For the Project
UNRAVELING: New Spaces


SPECIAL MENTION
for Media and Representation

Awarded to
Simona Žemaitytė (Lithuania)

In the Category
Phenomenology of Architecture

For the Project
Dancing Landscapes, Volcanic Breath


SPECIAL MENTION
for Pedagogy and Community Engagement

Awarded to
Course Leader: Ivan Rašković, Course Coordinator: Jelena Bogosavljević,
Assistants: Mila Mojsilović, Snežana Zlatković, Bojana Jerković Babović, Dejan Todorović, Ana Zorić, Ivan Filipović, Dušan Stojanović, Nemanja Kordić, Dalia Dukanac, Vanja Spasenović, Petar Cigić, Jelena Ilić, Sonja Dedić, Aleksandra Subotić, Relja Petrović (Serbia)

In the Category
Phenomenology of Architecture

For the Project
24/7: Spaces of Collective Practice, Learning through collaborative discussions and action drawing


SPECIAL MENTION
for Technology and Innovation

Awarded to
Meir Michanie, Bojana Sićović (Serbia)

In the Category
Architecture and New Media

For the Project
transFORM[ations]! casas experimentales


MENTION
for Urban Design

Awarded to
Đorđe Alfirević, Božidar Manić, Borjan Brankov, Tanja Njegić, Sanja Simonović Alfirević, Aleksandra Ristić (Serbia)

In the Category
Showcase Presentations — New ideas or project realization

For the Project
Urban-Architectural Competition for the Conceptual Design of the Zoo within the Entertainment and Recreation Park at Ada Ciganlija


MENTION
for Exhibition Design

Awarded to
Milena Kordić, Andrej Dolinka (Serbia)

In the Category
Showcase Presentations — New ideas or project realization

For the Project
Lines of Resistance: Exhibition design for Kun: Artist – Worker – Fighter

Of Realised Cultural Tools as Fetish and Autodidactic Paradox; On to Smysl and Folklore

Aleksa Bijelovic

https://doi.org/10.60152/d7f04uit

Abstract: The aim is to reveal common occurrences and tendencies of the contemporary interdisciplinary setting, academic and professional, within the dominant system in education (market) production, in which many of us play a part. How does a particular actor perceive their role and these relationships, and is there a way to transcend the string of circumstances and imagine what may be possible instead? With this comes the individual actor and their systemic social tendencies, the relations of apparent freedoms contracted in wages and fees, in contrast to the captivity of precarious independence.
Individual motives and capacity to partake in the production processes may yield different structural dynamics in different contexts, although the assumption is that modern social conditions do not cater to systemic varieties and that if any truly diversified outputs of the education-industry (market) supply chain exist — it must be a glitch. One of the main points to consider is to challenge this assumption to see if the speculation stands ground at all, and with that, if we care for liberatory perspectives in education, presuming emancipation from the dominant system is attractive. If diverse outputs do occur in practice, no matter how rarely, then there may be some value in detecting and investigating them in unison to explore structural similarities that can potentially inform new theories and daily doings.
A consequential objective is to assess concepts of production glitches as material deviations from educational conventions, resulting from accidental or intentional actions. Whether one sabotages the mundane conditions of one’s daily work or (alongside it) tries to implement new strategies, hoping for a paradigm shift, it is about the deviations as realities of practice leading to new awareness.

Keywords: fetish, autodidact, cultural tools, cognition, intention

How to cite this Paper (Harvard referencing style):

Bijelovic, A. (2025) ‘Of Realised Cultural Tools as Fetish and Autodidactic Paradox; On to Smysl and Folklore’, in R. Bogdanović (ed.) On Architecture — Crosscutting and Fusion of Disciplines, Proceedings. Belgrade, Serbia: STRAND, pp. 41–47.

See publication On Architecture (2025) Conference Proceedings

On Architecture (2025) Conference Proceedings

OA2025 — Conference Proceedings
ISBN 978-86-89111-42-2
https://doi.org/10.60152/0l9iv9mu

Title
On Architecture — Crosscutting and Fusion of Disciplines
Conference Proceedings

Publisher

STRAND – Sustainable Urban Society Association

Editor
Ružica Bogdanović

Reviewers
Aleksandra Stupar, Aleksa Bijelovic, Anastasios Tellios, Christiane Wagner,
Marija Mano Velevska, Nermina Zagora, Nataša Danilović Hristić, Ranka Gajić, Ružica Bogdanović, Senka Ibrišimbegović, Svetlana Batarilo

Table of Contents

Preface

Chapter 1 
— Phenomenology of Architecture

The Critter: Temporary Structure as Agent of Contemporary Urbanism
Dragana Zoric (USA)

Soft Power Urbanism: Strategic Frameworks for Spatial Influence in the Global City
Ivan Filipović (Serbia)

Intelligent Pedagogies: Assessing Student Urban Design Scenarios through AI and Semantic Spatial Analysis
Francesco Carota, Gustavo Amaral (USA)

Of Realised Cultural Tools as Fetish and Autodidactic Paradox; On to Smysl and Folklore
Aleksa Bijelovic (Australia, Serbia)

The Spatial Features of Freud’s Uncanny
Mateja Kurir (Slovenia)

Passion and Practicalities: Exploring distraction, routine, and production through geographic teaching and research in Western Australia
Connor Goddard (Australia)

24/7: Spaces of Collective Practice
Learning through collaborative discussions and action drawing
Ivan Rašković, Jelena Bogosavljević, Mila Mojsilović, Snežana Zlatković, Bojana Jerković Babović, Dejan Todorović, Ana Zorić, Ivan Filipović, Dušan Stojanović, Nemanja Kordić, Dalia Dukanac, Vanja Spasenović, Petar Cigić, Jelena Ilić, Sonja Dedić, Aleksandra Subotić, Relja Petrović (Serbia)

Towards an informal photography pedagogy on the African continent
Davina Jogi (Australia)

Chapter 2  
— Science, Technology and Architecture

Holobiontic Architecture: From Monologue to Multispecies Dialogue
Rachel Armstrong (Belgium)

Algorithmic Architectures: Spatial Politics of Critical Art in the Age of AI
Jelena Guga (Serbia)

The role of AI in architecture: fantasies and reality
Igor Svetel, Slađana Marković, Markus Hudert (Serbia)

InterstitiumIn-Between Scales: Translating Microbial Intelligence into Architectural Thinking
Dejan Todorović (Serbia)

Unraveling New Spaces: The Exhibition as an Interdisciplinary Project
Davor Ereš, Jelena Mitrović, Petar Laušević (Serbia)

Generative AI Technologies and Architectural Design Education
Branko Kolarevic (USA)

CODE, DECODE, RECODE.
AI-Generated Imagery and Architectural Design Education.
Spiros I. Papadimitriou, Agapi Proimou, Vasilis Stroumpakos (Greece)

Into the Open: Towards an Educational Framework for AI-Assisted Design in Architecture
Timo Carl, Renate Weissenböck, Carsten Rohde(Germany)

Artificial Intelligence Tools in the Visualization and Architectural Reinterpretation
Vesna Stojaković, Isidora Đurić, Tijana Palkovljević Bugarski, Aleksandra Čelovski, Marko Jovanović, Igor Kekeljević (Serbia)

The Role of Creativity in Integrating Artificial Intelligence within Conceptual Architectural Design
Semir Poturak (Bosnia and Herzegovina)

Metaverse in architectural design: Metamodernism as a new architectural language
Jovana Tošić (Serbia)

Translational Terrains: The Interdisciplinarity of Spatial Narratives
Aygen Erol Çakir, Mehmet Ali Gasseloglu (Türkiye)

Chapter 3
— Architecture and New Media

The Wondrous Travels of Felix Ringtail
Elif Ayiter (Türkiye)

Tangible Shadows
Nora Lefa (Greece)

Dancing Landscapes of the Phlegran Fields
Simona Zemaityte (Lithuania)

Weaving Error: Imperfection as Resistance in Material Practice
Jessica Priemus (Australia)

On membranes within disciplinary entanglements: a cognitive framework
Ioannis Bardakos, Malvina Apostolou (Greece)

Do Not Touch Yugoslavia! A visceral response in the era of artificial inteligence
Nora Lefa, Ema Alihodžić Jašarović, Sara Stojkanović (Greece, Montenegro)

Chapter 4 
— New ideas or project realization in Architecture, Urban Design and Arts

The Brutalist Cookbook
Dragana Zoric (USA)

Preserving the Past, Modeling the Future: A Retrofit Framework for the Sava Center in Belgrade
Suncica Milosevic, Ajla Aksamija (USA)

Beyond Architecture: A Multisystemic Framework for Sustainable Disaster Recovery
Hyunsoo Kim (South Korea)

Concepts of Hybridity in Residential Architecture
Kosta Stojanović (Serbia)

Flexible Spaces in Micro Apartments: Regeneration and Transformation of Functional Zones in Contemporary Architecture
Maja Golović (Serbia)

The Architectural Language of Togetherness: Spatial Patterns in the Design of Cohousing Communities
Aleksandra Milošević Pantović (Serbia)

Schematizing Museum Architecture: Interpreting Spatial Relations through Diagrams
Bojana Sićović (Serbia)

Tourist destination Poreč
Denis Ambruš, Vlatko Dusparić (Croatia)

Existence and the Spatial Memory of Gaza: The Case of Al-Alami Historical House
Abdurrahman Mohamed (Türkiye)

Author Index

On Architecture (2025) Book of Abstracts

OA2025 — Book of Abstracts
ISBN 978-86-89111-40-8
https://doi.org/10.60152/v3cheuc7

Explore the 2025 Book of Abstracts titled ‘On Architecture — Crosscutting and Fusion of Disciplines’, ISBN 978-86-89111-40-8, featuring key insights on architecture through various disciplinary lenses, including new aesthetics and functionalism, globalization, design methods and approaches, innovative materiality, technology, and new media.

On Architecture (2024) Conference Proceedings, p. 259-268

The Transition of Scale: New Approaches in Examining Spatial Sensations from Urban Vegetation in the Context of Interior Architecture
Šejla Župljanin, Relja Petrović

https://doi.org/10.60152/3hltdfjz

Abstract: In current times, people are spending more time indoors than outside due to the combined effects of industrialization, globalization, and rapid urbanization. In fact, recent studies assert that contemporary lifestyles result in individuals spending the majority of their daytime time indoors. Many public institutions, jobs and services have transitioned to online spaces, making it so that humans barely have to leave the “comfort” of their homes. But what does that comfort represent and how can we measure it? In this research, our goal is to discover if by using artificial intelligence as a methodological approach to analyze human emotions and behavior, we can further explore how interior architecture can affect human wellbeing. With all of these spaces slowly transitioning from exterior to interior, we find it important to examine this issue. Through our study of comfort parameters in interior architecture, vegetation has been identified as a significant factor. Numerous studies have previously demonstrated its beneficial effects on human psychological and physiological health. There is a noticeable gap in the literature regarding its impact on interior architecture, though, as the majority of studies have concentrated on outdoor green areas. By using experimental methodology alongside a literature review, we aim to contribute to the understanding of emotional reactions to the presence of vegetation in indoor spaces, and how these insights can be integrated into the architectural design process.

Keywords: interior architecture, artificial intelligence, well-being, comfort, vegetation

How to cite this Paper (Harvard referencing style):

Župljanin, Š. and Petrović, R. (2024) ‘The Transition of Scale: New Approaches in Examining Spatial Sensations from Urban Vegetation in the Context of Interior Architecture’, in R. Bogdanović (ed.) On Architecture — Shaping the City through Architecture, Proceedings. Belgrade, Serbia: STRAND, pp. 259-268.

On Architecture (2024) Conference Proceedings, p. 235-243

The Influence of Media on the Transformation of Public Space – Considering the Future of Park of Friendship
Dragana Kocić, Petar Mitrović, Dragana Konstantinović

https://doi.org/10.60152/6iyarcyq

Abstract: In the contemporary world, much is discussed about the influence of media on people’s lives. However, the direct impact of the media on the creation of living public spaces is less discussed. The availability of different web platforms, freedom of speech, reporting methods, and the direct translation and transmission of political thought to the public lead to changes – new agendas – and the formation of opinions and attitudes that directly impact the built environment. Thus, media discourse becomes an old/new tool for forming the identity of a place, city, and state. Media discourse has changed and become more influential in the former Yugoslav states. The transition of post-Yugoslav society was accompanied by the transformation of the built environment, which was supported by various media narratives. This research begins with the assumption that reality is not singular but comprehensive and socially constructed, and that media plays a fundamental role. The media’s influence in constructing and deconstructing public space will be illustrated through a case study of Park of Friendship (Park prijateljstva) in Belgrade. From the Avenue of Peace and the Eternal Flame to a future-oriented space focusing on museums and contemporary design, the Park’s evolution reflects how media narratives and present-day societal needs shape its identity. These media discourses not only document but also participate in the creation of public perceptions, transforming spaces in line with emerging cultural and political agendas. At the same time, media exert a massive influence on the globalization of architecture. This often manifests through the promotion of architectural works and the dissemination of imagery, whether through photographs of actual buildings or visualizations of future projects. By circulating these representations on various platforms, media help create a positive economic climate, fostering development and revitalization of previously overlooked or less popular spaces. Thus, media platforms act as catalysts in global architectural trends, influencing both local urban transformations and broader aesthetic and economic movements in architecture. The media today are more influential than those from 40 years ago and are considered social agents that intervene in the construction of public representations of space. Contemporary lifestyles involve frequent changes in the urban landscape and demands for change. What is the role of the media, what kind of media agents are present, what are the most influential ones, and whose agents are they, are just some of the questions this research tends to address.

Keywords: Architecture, public space, media, media discourse, narrative, transformation

How to cite this Paper (Harvard referencing style):

Kocić, D., Mitrović, P. and Konstantinović, D. (2024) ‘The Influence of Media on the Transformation of Public Space – Considering the Future of Park of Friendship’, in R. Bogdanović (ed.) On Architecture — Shaping the City through Architecture, Proceedings. Belgrade, Serbia: STRAND, pp. 235-243.

On Architecture (2024) Conference Proceedings, p. 229-234

(Re)creating genius loci: AI-generated design trends as architectural concepts and methods
Jovana Tošić

https://doi.org/10.60152/9ubln97v

Abstract: The concept of genius loci, or the ‘spirit of place’, mainly refers to the concept of the ‘character’ of a place, and it is complex and multi-layered. The primary interpretation of the concept of genius loci, translated into architecture, is a theory of the architect and phenomenologist Christian Norberg-Schulz. A human’s identity depends on a place’s identity, which refers to recognizing and revealing a place’s genius loci. Architectural designers tend to invoke and activate it to create a unique character for a space. They often use AI platforms – text-to-image generators, mostly Midjourney- to develop their architectural ideas and concepts and make them more original and unique. However, these AI-generated architectural design concepts are becoming too similar. In which cases do AI-generated architectural design concepts and ideas help evoke a particular character of a place, and when does it seem to make a genius loci more invisible? The paper critically analyses AI-generated architectural design examples about genius loci. The parallel is made with Alison and Peter Smithson’s “House of the Future” (1956), as it is an important example of an experimental, visionary project in architectural theory and has many similar references to new media trends and consumerism in design.

Keywords: genius loci; spirit of a place; AI-generated design; House of the Future

How to cite this Paper (Harvard referencing style):

Tošić, J. (2024) ‘(Re)creating genius loci: AI-generated design trends as architectural concepts and methods’, in R. Bogdanović (ed.) On Architecture — Shaping the City through Architecture, Proceedings. Belgrade, Serbia: STRAND, pp. 229-234.

On Architecture (2024) Conference Proceedings, p. 218-228

Drawing as a Methodological Tool For Reading The Cityscape
Snežana Zlatković

https://doi.org/10.60152/f7cgvl5y

Abstract: This research begins from the assumption that reading the cityscape can contribute to the improvement of drawing as a methodological tool. We recognize the understanding of complex spatial changes that are reflected through the cityscape as those that, through drawings, can reveal values for the initial stages of subsequent design processes. We investigate whether and how the drawing can follow and analyze the speed of changes that are happening in front of us, primarily in the extreme density of the built structure, but also in parallel through the ephemerality of the elements that change in the appearance of the city. We are interested in whether the transformation of drawings on the historical brink of the technological revolution of architectural tools during the past three decades hides an unexamined starting point, or an undiscovered potential of drawings to act between all the qualities of an analog way of thinking in relation to digital possibilities. We conduct research from the current condition of the city to the aesthetics of the dissolution of the city in order to establish aesthetic elements for the process of reading the cityscape. Extracted aesthetic elements, line – movement, rhythm – distortion of multitude, color – interaction, transparency – active condition will indicate the construction of a new analytical process. The layering of the city through the methodology of research by drawing will reveal the transformability of the procedure and the redefinition of drawing as a contemporary methodological tool. The sequences of the conditions of the city, which have been examined through a multitude of experiments, will shed light on the chronological development of the tool, but also reveal the values of the identified problem. After the building of the drawing by means of analog-digital mapping of the series of micro and macro atmospheric conditions of the cityscape, new specific layers of space are produced. In their deposition, an excess is created that moves the drawing from its static role to the dynamic development of the tool.

Keywords: condition of the city, phenomenological reduction, aesthetic elements, reading the cityscape, drawing, methodological tool

How to cite this Paper (Harvard referencing style):

Zlatković, S. (2024) ‘Drawing as a Methodological Tool For Reading The Cityscape’, in R. Bogdanović (ed.) On Architecture — Shaping the City through Architecture, Proceedings. Belgrade, Serbia: STRAND, pp. 218–228.

On Architecture (2024) Conference Proceedings, p. 68-81

Contribution to the Establishment of Green infrastructure as an Equal Element of the City Morphology in the Service of the Future City
Aljosha Shopar

https://doi.org/10.60152/1ofm7wkz

Abstract: The rapid urbanization that began with the Industrial Revolution and continues to this day has dramatically increased the pressure on urban dynamics. From this fast and substantial enlargement of our cities, a new city element has emerged. This element, which is the primary motive and focus of this research, is called “green infrastructure”.The main goal of this study is to try to make a paradigm shift, at least by a small increment, in our traditional perception of our cities by changing it from ”grey” to ”green” (blue). This task should be achieved with the theoretical defining of the term Green infrastructure as a spatial constituent, through a description and classification of its elements, their arrangement, and values within the city morphology. As far as we can reach in our history we can see that the city has existed as a system of irreducible complexity with all its parts arranged in their place. City elements by association are integrated into entities of higher complexity and quality, of a higher order (emergence), so the room emerges into a house, the house into a block, the block into a quarter, and the quarter into a city. The discussion about green infrastructure and its application in a city by examining case studies will highlight and strengthen its rightful place among other city elements. This applies both to the transformations that take place within the built city structures and to the newly planned city spaces. This approach positions the green element within the city morphology making it a dynamic part that instigates added value by introducing new socio-cultural activities that upgrade the existing urban system. By gaining equal status with other city elements, the notion of green infrastructure is becoming yet another segment of urban complexity. In its journey, it has come a long way being coded as a green luxury until the late XIX century, implemented as a green necessity in the early planning stages of modernization, and established as green leisure in the late XX century. This paper aims to acknowledge a new scenario for the future city, in which the green infrastructure rethinks its previous connotations in a new ‘green’ approach that engages productivity as a major concern, and thus creates a concept that further enhances relations between the elements of the contemporary urban morphology.

Keywords: Green Infrastructure, Urban Morphology, Urban Complexity, City Elements

How to cite this Paper (Harvard referencing style):

Shopar, A. (2024) ‘Contribution to the Establishment of Green infrastructure as an Equal Element of the City Morphology in the Service of the Future City’, in R. Bogdanović (ed.) On Architecture — Shaping the City through Architecture, Proceedings. Belgrade, Serbia: STRAND, pp. 68–81.

On Architecture (2024) Conference Proceedings, p. 36-44

From Past to Future: Urban Development Strategies for Tetovo
Vlera Thaci, Marija Petrova

https://doi.org/10.60152/l2ez5adw

Abstract: Cities are subject to continuous transformations. Their residential architecture from different periods, with different typological and morphological origins, is the basis for diverse changes. The growth of Macedonian cities peaked in the 19th century but was disrupted by 20th-century wars and the transition to socialism. This process led to westernization and modernization, introducing new residential architecture. Today, there is a need to upgrade Macedonian cities within the modern socio-political system of the 21st century, leading to rapid and spontaneous expansion. The paper focuses on the city of Tetovo, a case study of Macedonian cities and its stages of development. Tetovo, which had a modest character in the 19th century, underwent a significant transformation in the second half of the 20th century by constructing new residential blocks of high-rise buildings and towers. However, this modernization slowed down at the end of the 20th century. Nevertheless, Tetovo’s boundaries continue to expand today with the emergence of informal settlements consisting of low residential structures, thus adding a new layer to its urban fabric. This research aims first to investigate the vertical growth of Tetovo from the second half of the 20th century – through the construction of residential towers and then the expansion of the city today – through the informally built low residential structure on the edge of Tetovo. On the methodological level, this paper aims to define the characteristics of the two different models of urban development—vertical expansion and surface expansion—through an overview of the chronological and spatial growth of Tetovo. After comparing the characteristics and qualities of these two ways of city growth, this paper aims to offer a significant model for the development of Tetovo. The underlying assumption of this research is that while changes are an integral part of the image of the city of Tetovo and our everyday life, they should not be uncontrolled and spontaneous. On the contrary, urban transformations can be guided and planned through a new growth model in Tetovo. This model envisions a harmonious coexistence of vertical patterns of settlement with the contemporary needs for a low-rise residential structure defined by the character of informal communities. Such an approach could create opportunities for the densification of the city of Tetovo, aligning with its historical image and the modern needs of its inhabitants.

Keywords: Tetovo, residential towers, Informal settlements, high-rise, low-rise, future prospect

How to cite this Paper (Harvard referencing style):

Thaci, V and Petrova M. (2024) ‘From Past to Future: Urban Development Strategies for Tetovo’, in R. Bogdanović (ed.) On Architecture — Shaping the City through Architecture, Proceedings. Belgrade, Serbia: STRAND, pp. 36–44.