OA2025 OPEN CALL — Conference, Panel and Exhibition

Exploring architecture and multidisciplinary influences at the STRAND OA2025 international Conference and Exhibition — Crosscutting and Fusion of Disciplines, hosted by the Serbian Academy of Sciences and Arts and Gallery of Science and Technology in Belgrade, Serbia and featuring parallel events — Student Exhibition in Greece, and — Panel convened in Australia.

DETAILS

— Conference
4–5 December 2025
Serbian Academy of Sciences and Arts, Belgrade, Serbia
Knez Mihailova 35, 11000 Belgrade, Serbia

— Exhibition & MicroMacro Awards
3–17 December 2025
Gallery of Science and Technology of the Serbian Academy of Sciences and Arts, Belgrade, Serbia
Đure Jakšića 2, 11000 Belgrade, Serbia

— Panel
5 December 2025
Online Panel

SUBMIT YOUR CONTRIBUTION

— Abstract for Conference
Send 250–300 words abstract with title, authors names and up to 6 keywords
via Conference Form or email info@strand.rs by 10 June 2025

Application for Exhibition & MicroMacro Awards
Send 70–100 words text description with title, authors names and two illustrations
via Exhibition Form or email info@strand.rs by 10 June 2025

— Abstract for Panel
Send 250–300 words abstract with title and authors names
via Panel Form or email info@strand.rs by 10 June 2025


OPEN CALL

Call for Contributions is now open.


CONCEPT

On Architecture — Crosscutting and Fusion of Disciplines is based on the concept of an interdisciplinary, international, multi-location conference, with two exhibitions and a panel.

OA2025 would bring together partner institutions, representatives from both academia and industry, from different parts of the world, working together on organization and realization of the event. The motivation of holding a multiplaces conference, in several places at the same time, is the knowledge exchange, dissemination of research results and possible interaction and implementation aimed at stakeholders and sponsors. This is why the principle of networking is key.

Another principle of interdisciplinarity underlines the complexity and multiplicity of architecture, as well as the new challenges facing architects, urban designers, and artists. An interdisciplinary approach is the basis for defining thematic blocks/topics which include the essential approaches to the subject  of architecture, innovative projects that impose new approaches and challenges, such as innovations in building materials, design and technology, which contribute to new aesthetics and a different understanding of functionalism, as well as architecture whose backbone is always creativity and art.



THEME

The themes will be discussed through various disciplinary lenses, including new aesthetics and functionalism, globalization, design methods and approaches, innovative materiality, technology, and new media.

Themes of the Conference and Exhibition are promoting quality design in different scale, which improves the life of resident citizens and visitors, with attractive living places. Creation of quality design is important for individual living in architecture object as the micro scale of significance – as well as for the design in a wider macro scale, which emphasizes the advantages of a city and potentials for more attractive business, qualified manpower, attraction of students, tourist potential, and events of wider significance. It is what makes an exciting, vibrant city that offers knowledge about new trends in art, architecture and urban design.
We are experiencing an unprecedented era in the history of urbanization. Some of the defining challenges of the 21st century dictate the pace of urban growth, create new approaches in architecture, increase the quality of living spaces, and control the environmental quality. At the same time, they also present an opportunity to create living spaces that are smarter, more efficient, more sustainable, more equal and safer. Architecture and urban Design in the small are the key for improvement and quality of urban and living space.
One of the topics is innovation and creativity in the digital era, with focus on art, architecture, technology, and science as being among the leading proponents of innovative change. Innovation is not new, nor a privilege of the digital age. It has always been present in human endeavors to solve problems, organize community better, improve the quality of life, work more efficiently, and so on. The digital age, however, has brought about unprecedented and ubiquitous possibilities of innovation in all spheres of life. In the digital age, perhaps more than ever before, there is growing need for multi-disciplinary approach in the research on Arts, Architecture, Design, Science and Technology to deal with challenges of modern society.
In the same sense, using the advantages and possibilities of the digital age and the technological range, a new architecture of the future is created, such as the use of a parametric design, or developing new sustainable technological solutions from the idea to the realization including maintenance in architecture, engineering and construction.
The new methodological approach is also focused on pioneering research on interactive graphic design at the time of unprecedented data abundance, such as research designer programs that redefine the production tool, applicable for further development of other designer participants as open source. Or other methodological approaches that explore drawing as a tool, in different ways, or mapping the space or processing data diagrams.
Methodological approaches in the digital era are using new tools, for example gamification in town planning. As a methodology it is not new since in the past, games were typically used for simulating cities in a safe environment. Today, modern game theories suggest a more integrated relationship between games and real life. The essence of the new generation of games is interactive design and consumer decision-making between users, based on their behavior, and decision-makers in a complex planning process. A platform for decision-making is formed through solving real problems and real-life challenges.
Modeling the Future combines analogue and digital modeling technologies to create a realistic, live-time mapping tools. A database of information on the cities architecture and public space which could become an invaluable tool for architecture and urban planning, even the basis that multiple disciplines (designers, architects, urban planners, artist) can work with in order to learn how to transform cities.

On Architecture 2024 Opening Ceremony

CONFERENCE
(international, peer-reviewed, open call)

4–5 December 2025
Serbian Academy of Sciences and Arts, Belgrade, Serbia
Knez Mihailova 35, 11000 Belgrade, Serbia

Crosscutting and Fusion of Disciplines builds on the concept of previous ON ARCHITECTURE conferences and focuses on the interaction of science, technology and arts, with architecture in creating the future at different levels from micro to macro scale, problematic – thematic and spatial coverage.


THEMATIC BLOCKS

An interdisciplinary approach is essential in defining thematic blocks.

— Phenomenology of Architecture
Essence of Architecture – Form, Function, Meaning Phenomenology of Architectural Work
Utopia vs. Dystopia Architectural and Existential Space — Existence, Space, and Architecture
Exterior vs Interior — Urbanism Interior vs Urban Interior, New Urban Living Room Semiology of Architecture — Architectural Language.

— Science, Technology and Architecture

Artificial Intelligence Diversity in global environmental scenario Navigating new horizons in technology Digital environment —how we live, learn, work, and play now Innovation and creative spaces in Cities— small scale design thinking and town planning as an inspiration for integrative planning, POPS — privately owned public spaces Modeling the Future – modeling of the future architecture and design with implications for environment and society Going Digital – innovations in the contemporary life; gamification in urban design and town planning, New Methodology – learning through resilient, smart and innovative methodology research.

— Architecture and New Media
Photography and Media Art Art in the age of artificial intelligence After AI art Architecture and/or Art – inspiration for creating

— Showcase Presentations
New ideas or project realization in Architecture, Urban Design and Arts.

Call for contributions is addressed to researchers and professionals in the fields of architecture, interior architecture, town planning, urban design, heritage and restoration, history, technology, art, photography.


EXHIBITION
(international, juried with awards, open call)

3–17 December 2025
Gallery of Science and Technology of the Serbian Academy of Sciences and Arts, Belgrade, Serbia
Đure Jakšića 2, 11000 Belgrade, Serbia

Established in 2016, the MicroMacro awards are dedicated to the recognition of design solutions in innovative ways that successfully implement new standards in architecture and urban design and planning and encourage environmental sustainability.

Naming of the MicroMacro award refers to various scales of recognized projects and programs – from micro as furniture and object design, urban design, exhibition design, and interior architecture to macro as public art, urban planning, architecture, building information modeling and software architecture.

Who can enter
The competition is open to individuals and organizations in the fields of architecture, urban planning, design, history, technology, art, photography, new media art and to all geographical locations.

Who can submit a nomination
If you are an organization, an association, a not-for-profit or an individual you can nominate. You can self-nominate or nominate another organization.

Themes
International exhibition follows the Conference thematic blocks: Phenomenology of Architecture, Science & Technology and Architecture, Architecture and New Media approach, Showcase Presentations – new idea or project realization in Architecture, Urban Design or Art.,Vision of the City/Architecture –from capturing moments of city life towards utopias in a form of artistic drawing, design, photography, design product…

We kindly invite the perspective architects, town planners and artist to submit their projects, drawings, and photographs that respond to the scope of the above listed topics.


PANEL
(international, open call)

Interplay and Contradictions of Education, Research, and Production

We aim to reveal common occurrences and tendencies of the contemporary interdisciplinary setting, academic and professional, within the dominant system in education (market) production, in which many of us play a part. How does a particular actor perceive their role and these relationships, and is there a way to transcend the string of circumstances and imagine what may be possible instead?

The ambition is to offer possible interpretations of production in tertiary education and, to some extent, in academic research. With this comes the individual actor and their systemic social tendencies, the relations of apparent freedoms contracted in wages and fees in contrast to the captivity of precarious independence.

The individual’s capacity and motives to partake in the production processes in different contexts may yield different structural dynamics, although the assumption is that modern social conditions do not cater to such systemic varieties and that if any truly diversified outputs of the education-industry (market) supply chain exist — it is a glitch.

One of the main points to consider is to challenge this assumption to see if the speculation stands ground at all, and with that, if we care for liberatory perspectives in education, presuming emancipation from the dominant system is attractive. If diverse outputs do occur in practice, no matter how rarely, then there may be some value in detecting and investigating them in unison to explore structural similarities that can potentially inform new theories.

A consequential objective is to assess the concepts of production glitches as material deviations from educational conventions, be it as incidental or intentional actions. Whether one sabotages the mundane conditions of one’s daily work or (alongside it) tries to implement new strategies, hoping for a paradigm shift, it is about the deviations as realities of practice leading to new awareness.

What we hope to achieve is a pluralistic pool of contributions — ideas, concepts, opinions, and peculiar first-hand experiences contextual to the role of observers and direct actors in education production.


Contribution guidelines and timeline
To participate in the panel and be considered for publication in an edited volume, please submit a 300-word proposal for a critical opinion essay of approx. 2,000–3,000 words. The essays will prompt the format of the panel discussion and its specific objectives.


Convener: Dr Aleksa Bijelovic, Senior Lecturer, Associate Head of School, the School of Design and the Built Environment, Curtin University, Western Australia


STUDENT EXHIBITION
(undergraduate students, invite only)

OA2025 features an exhibition where students can present their research topics in the form of short concept for valuable peer feedback and collaborative criticism.

Coordinator: Dr Nora Lefa, Associate Professor, University of Ioannina, Greece

On Architecture 2024 Opening Ceremony

REGISTRATION

The Registration is open.

The Organizer offers the following conditions for participation where each fee is valid per manuscript or exhibition work.

Conference EARLY Registration (paid until 30 June 2025)
For 1 Conference Paper 170 EUR, for Conference Paper by doctoral student and early career researcher (required proof of study and/or age) 120 EUR, for 1 Conference Poster 170 EUR.

Conference REGULAR Registration (paid until 15 September 2025)
For 1 Conference Paper 220 EUR, for Conference Paper by doctoral student and early career researcher (required proof of study and/or age) 150 EUR, for 1 Conference Poster 170 EUR.

Conference LATE Registration (paid until 31 October 2025)
For 1 Conference Paper 270 EUR, for 1 Conference Poster 170 EUR.

Exhibition Registration (paid until 15 September 2025)
For 1 Exhibition Poster 50 EUR, for 2 Exhibition Posters of the same work 75 EUR.
Exhibition fee does not include printing of the posters.


DATES

10 June 2025 Application Submission

— late June 2025 Selection Outcomes

15 September 2025 Preliminary Paper Submission (for peer review)

15 September 2025 Exhibition E-Poster Submission (for jury review)

31 October 2025 Paper Submission

Exhibition participants are expected to make a submission and collection of their printed Exhibition Posters at the Gallery of Science and Technology, Djure Jakšića 2, 11000 Belgrade in allocated time slots to be announced in due time.

For international exhibition participants the Organizer could arrange printing and delivery of the Exhibition Posters.


SCIENTIFIC BOARD

Professor Branislav Mitrović,  University of Belgrade, Serbia
Professor Rachel Armstrong, Arts & Design (RAAD) and Coordinator Microbial Hydroponics (Mi-Hy), Faculty of Architecture, KU Leuven, Belgium
Professor Vladan Đokić, Faculty of Architecture, University of Belgrade, Serbia
Professor Ružica Bogdanović, University of Belgrade, Serbia
Professor Aleksandra Stupar, Faculty of Architecture, University of Belgrade, Serbia
Professor Edna Langenthal, Dean of the School of Architecture, Ariel University, Israel
Professor Renate Weissenböck, Frankfurt University of Applied Sciences · Faculty of Architecture, Civil Engineering and Geomatics, Germany
Professor Figen Beyhan, Faculty of Architecture, Gazi University, Ankara, Turkey
Professor Pavlos Lefas, Department of Architecture, University of Patras, Greece
Professor Anastasios Tellios,  School of Architecture, Aristotle University of Thessaloniki, Greece
Dr Aleksa Bijelovic, Senior Lecturer, School of Design and the Built Environment, Curtin University, Western Australia
Dr Nora Lefa, Associate Professor, School of Fine Arts, University of Ioannina, Greece
Dr Senka Ibrišimbegović, Associate Professor, Faculty of Architecture, University of Sarajevo, Bosnia and Herzegovina
Dr Nermina Zagora, Associate Professor, Faculty of Architecture, University of Sarajevo, Bosnia and Herzegovina
Dr Marija Mano Velevska, Associate Professor, Faculty of Architecture, Skopje, North Macedonia
Dr Stahl Stenslie, Head of R&D at Arts for Young Audiences Norway
Dr Nataša Danilović Hristić, Senior Research Associate, Institute of Architecture and Urban & Spatial Planning of Serbia (IAUS), Serbia
Dr Christiane Wagner, Affiliate Researcher at the Institute for Cultural Inquiry Berlin (ICI Berlin), Germany
Dr Denis Ambruš, Assistant Professor, Faculty of Civil Engineering, University of Rijeka, Croatia
Dr Francesco Carota, Assistant Professor, School of Architecture and Design, University of Kansas, and Affiliate Researcher at the China Room research group, Polytechnic University of Turin, Italy
Dr Mateja Kurir,  independent researcher, Ljubljana, Slovenia
Mitesh Dixit, Founder DOMAIN Office, USA/Serbia


PROGRAM

3 December 2025, Wednesday, 6 pm — 8 pm
Conference and Exhibition Opening followed by MicroMacro Awards Ceremony
Gallery of Science and Technology of the Serbian Academy of Sciences and Arts, Belgrade, Serbia

4 December 2025, Thursday, 9 am — 5 pm
Conference Day 1
Serbian Academy of Sciences and Arts, Belgrade, Serbia

5 December 2025, Friday, 9 am — 5 pm
Conference Day 2 and Online Panel via WEBEX
Serbian Academy of Sciences and Arts, Belgrade, Serbia

17 December 2025
Exhibition Closing, Wednesday, 8 pm
Gallery of Science and Technology of the Serbian Academy of Sciences and Arts, Belgrade, Serbia

Detailed Program will be published in September 2025.


ORGANIZATION

Partners

Serbian Academy of Sciences and Arts, Serbia

Gallery of Science and Technology of the Serbian Academy of Sciences and Arts, Serbia

People

Conference and Exhibition Concept
Professor Dr Ružica Bogdanović (Serbia)
ruzica.bogdanovic@strand.rs

International Coordination
Professor Dr Aleksandra Stupar (Serbia)
aleksandra.stupar@strand.rs
Associate Professor Dr Nora Lefa (Greece)
nora.lefa@strand.rs

Conference Coordinator
Aleksandra Pantović Milošević (Serbia)
aleksandra.pantovic.milosevic@strand.rs

Project Officers
Milan Maksimović (Spain)
Andjela Stojmirov (Serbia)
info@strand.rs

Organization and Realization

STRAND – Sustainable Urban Society Association, Serbia